August 6, 2020. By Rahel Aima.
Elsewhere I found myself especially drawn to paintings that were subtly appliquéd, perhaps relishing the fact that they would read so differently in jpeg form. In a group show at Thierry Goldberg, Bony Ramirez’s colourful paintings featured voluptuous, muscly figures in littoral or tropical settings, carrying swords, seashells and swans. Their curving hands and feet are especially memorable, suggesting a cross between webbed, amphibious creatures and Roald Dahl’s witches. But this is no Caribbean idyll: some figures are being stabbed in the head, in the manner of Peter of Verona, or in a hand. In the compelling El Mar Que Extraño / I Miss The Ocean (2020), the figure walks on a bed of hobby blades stuck onto the canvas.